I finally had the opportunity to photograph snow on the summit of Mauna Kea during my February visit to the Big Island of Hawaii. After over a decade of trying, it was nice to finally be able to experience being at the beach in the morning and then driving up to the snowy summit in the afternoon. I’ve visited the summit during previous trips. It is a straightforward drive, but getting out of the car and walking around at 13,796′ above sea level is the real challenge. From the highest drivable point, it is only a few hundred yards and slightly up hill to the true summit. I put on every piece of clothing that I brought to Hawaii, including, thankfully, my winter hat and set out from the parking lot about an hour before sunset. Each step in the snow was a challenge, but after a short time I was on the summit. I was immediately drawn to this wind sculpted ridge slightly south along the summit ridge, especially since it did not appear to have any footprints. Once I settled into place with my tripod, I waited for the golden light less than an hour later. I got cold, especially my hands. I noticed the sunlight was causing some glare spots on my image, so I held my hand on the side of the lens to block the direct light. It’s amazing how quickly the sun sets at the equator. I created this image with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and 3-stop Soft Graduated Neutral Density filter. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.
My favorite location to photograph sea turtles is at the Kaloko Honokohau National Historic Park on the Big Island of Hawaii. After a long day boating with my friends, I photographed this small sea turtle resting on the lava shoreline north of the small boat harbor at sunset. I was lucky that the sky lit up like this, because the vog and clouds often block the magic light at the end of the day in Kona. My friend and fellow photographer Stuart Westmorland was using a flash next to me, which fortunately added a bit of fill light to the otherwise backlit turtle. I normally dislike flash, but in this case the fill-light is perfectly balanced with the ambient light. I might have to buy myself a flash. I created this image with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, and 3-stop Reverse Graduated Neutral Density filter. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.
While I was in Hawaii in February, I spent more time photographing shore break waves. It’s a lot of fun waiting for a big set to come in and amazing how fast 3-4 hours goes by. I’ve photographed in much more extreme environments, but never in a place where I get pummeled by my subject. This is my favorite tube from my efforts to date. I love the tube slamming shut and the light coming through the wave on to the shallow sandy bottom. My biggest limitation at this point (other than not living in Hawaii!) is that my camera only shoots 4fps. If I shoot video at 30fps and slow the action down, I can see all the images that I am not getting. In order to continue my wave photography ambitions, I am considering purchasing the new Canon 1DX which shoots at 12fps. I created this image with my Canon 5DmkII and 14mm f2.8 lens inside my Aquatech 5DmkII housing with a Aquatech 8″ dome port. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.
I am excited to share that my “Discover Digital Quick Tips” article is published in the April 2012 issue of Outdoor Photographer! OP’s Editor gave me this opportunity after telling me that he always considers my images to be among the most authentic and beautiful that he regularly sees. In my article, I offer my advice on what my top processing techniques are and how photographers can use them to make their own images look spectacular. Please let me know if you enjoyed reading it and feel free to add your own suggestions in the comments below.
In other news, my regular readers, friends, fans, etc will probably have noted that I have not been online much in the last 2 months. I spent a wonderful, though, not super productive 3 weeks in Hawaii in February. I was barely home for a week before I flew down to Arizona to give 3 presentations about my Alaska photography at the Tucson, Paradise Valley, and Tempe REIs. (I will be at the San Diego, Portland, and Anchorage REIs in the coming month.) Last week, I moved my family into our gorgeous new house just south of Leschi. It is breathtaking to look out my windows anytime and see Lake Washington, the Cascades, and Mount Rainier. This week, I am finally settling into my new office which has its own separate entrance, new cork floors, furniture, and gallery track lighting. I have some large acrylic face-mounts being made by West Coast Imagining that will adorn my walls for when clients visit. Summer is also coming just around the corner. I have multiple trips planned to Alaska, plus my first trip to Tonga. This fall, I will also be joining a small sailboat expedition to South Georgia Island for 4 weeks. As you can see, I have a lot of exciting things going on and many new images to be created.
Since I am flying back to Hawaii next week, I thought that I would share this image. I created it while visiting Hana with my family last month. This rugged lava coastline could be anywhere in Hawaii, but this location is near Kaihalulu (Red Sand) Beach. I was captivated by this small waterfall cascading off of the lava ledge, so I returned a few mornings in a row searching for dramatic light. After several failed attempts, I was finally able to photograph the dynamic scene that I had envisioned. I had to be set up early and confident in my skills, because this light only lasted for a fleeting moment before vanishing. I don’t normally like to shoot into the sun due to lens flare, but the sun was so low on the horizon that the wave actually blocked part of it. I also had to be willing to get my camera wet, which my recent $900 repair bill from Canon will attest to. I also like how the wave is rearing up and about to crash against the shore. I created this image with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and 3-stop Reverse Graduated Neutral Density filter. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.
My regular readers have probably noticed that I have been on an extensive underwater photography binge in the last year. I’ve always said that I aspire to shoot mostly underwater subjects, and am happy that most of my 2012 trips will be at or below the surface. So sticking with that theme, here is another underwater image from my December trip to the National Park of American Samoa. I spent a week at the Vaoto Lodge on Ofu Island and had this idyllic beach setting all to myself each day. This is my favorite over-under image from all the time that I spent in the water. I really like how the coral rubble in the sandy bottom leads the viewer’s eye directly into the jagged peaks. I created this image with my Canon 5DmkII and 17-40mm f4 lens with a B+W +2 graduated neutral density filter inside my Aquatech 5DmkII housing with a Aquatech 8″ dome port. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.
During my week long visit to Crystal River, I spent close to 36 hours in the water with the mantees. In that amount of time, I was only able to photograph this one moment where a manatee playfully rolled upside down asking me to rub its belly. If I spend enough time with wild animals, eventually I am able to photograph a unique moment or behavior. This beautiful portrait shows how blissful the manatees can be when they are not being pursued by tons of tourists in the water. We should all aspire to exhibit such joy and trust. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.
Manatees are so ugly that they are adorable. This picture clearly illustrates that point. I spent hours in the water waiting for a manatee to pose for me like this. Whenever I photograph wild animals, I do not chase after or harass them. I can never force a picture to happen. That is why I wait patiently for them to reveal themselves to me. Eventually, an animal will become comfortable with my presence and I will be able to photograph a beautiful portrait like this. This manatee was actually nibbling on my toes, so it let me know that it was very friendly and curious. With my permit from the USF&WS, I was able to gently drop down to the bottom and allow the manatee to swim right up to my camera. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.
I have just returned from photographing West Indian manatees at Crystal River State Park, Florida. It was a very interesting experience. I am usually the only photographer, let alone person, at the wilderness locations that I typically photograph. I knew that was not going to be the case with the rampant manatee exploitation at Crystal River, but I was totally unprepared for how many people, boats, and kayaks were in the water. Fortunately, I bumped into National Geographic photographer Paul Nicklen who gave me a nice referral to the USF&WS so that I could get a special use permit. The permit did not solve my problem of all the people in my pictures harassing the manatees, but it did give me some special access and the ability to sink down to the bottom in order to shoot up towards the surface. My other challenge was giving myself a mild case of hypothermia by spending over 6 hours each day in the 70° water. I could barely hold my camera by the time that I got out of the water. However, through my diligence I was able to photograph some fantastic encounters with curious manatees when no one else was around. This is one of my favorite images from my ordeal. I really like how this manatee posed for me and even put its flippers together as if it were praying. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.
Like most photographers, I like to challenge myself to create new images outside of my comfort zone. One of my favorite new shooting styles is photographing breaking shore waves. This style has been made popular in the last few years by Clark Little. I harbor no illusions that I am going to become as well known or specialized as Clark is at photographing waves, but I had a lot of fun trying during my recent visit to Hawaii.
I am fairly competent with an underwater camera housing, and I have done some boogie boarding during my lifetime, but it took a lot of dedication to fling myself into a breaking wave with my large housing in hand. I got thrown through the air and pummeled by waves more than you can imagine. My camera housing turned into a dangerous weapon during the out-of-control punishment inflicted by the larger and more photogenic waves. During one of my more memorable moments, I received a big gash to my right shoulder when my housing hit the bottom while I was cartwheeling through the water. I’m lucky that it did not hit my face. I shot several thousand terrible wave images that were almost immediately deleted. However, this fantastic wave breaking at Hamoa Beach near Hana is the most impressive from all my effort. I really like how I not only captured the breaking tube, but the wave momentarily looks like some type of prehistoric monster. I also like how I framed the entire composition in my normally recognizable wide-angle style. There is no doubt that I if I want to improve that I will need a camera that is capable of 10-12fps, rather than my 5DmkII’s inadequate 4fps. I also stressed myself out so much doing this, that I suffered 2 back-to-back migraine headaches. In spite of all the challenges, photographing waves is very addictive and I can not wait to do it again. I created this image with my Canon 5DmkII and 17-40mm f4 lens inside my Aquatech 5DmkII housing with a Aquatech LP-VWZ flat port. This image is a single-exposure which required a minimal amount of processing using Aperture 3, but I had to clone out a few water spots that were on my flat port using Photoshop CS5.
