I was very happy with my first encounters with polar bears while co-leading my Polar Bear Photography Tour this fall. These amazing creatures are incredibly photogenic and life-changing to see in the wild. I’m currently updating my website with information about next year’s tours, but for anyone that is interested our scheduled dates are September 24-27, September 28-October 1, and October 2-5. The cost will be $5400 all inclusive from Fairbanks, except for the optional $175 per boat ride paid directly to our native guides. We are also able to offer a multiple tour discount to anyone that is interested in extending their photographic opportunities by joining back-to-back tours.
During this year’s tours, my clients and I photographed these two-year old cubs playing in the Arctic Ocean from the safety of our native guide’s boat. They appeared to be having a ton of fun as they played with each other for several hours. Their interactions were frequently so comical that we all chuckled out loud. We were also fortunate to be able to photograph them in beautiful golden sunlight. I created this image with a Canon 1DmkIV and my 400mm f4 DO IS lens. It is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
The young polar bears that I photographed during my recent Polar Bear Photography Tour in Alaska spent a lot of time playing with their siblings both on land and in the Arctic Ocean. Polar bears are considered marine mammals since they spend so much of their lives in and out of the water. They are capable of swimming hundreds of miles when they have to. I really like the way that this young bear looked over its shoulder and right into my lens. I find eye contact like this incredibly compelling. Of course, the nice low angle light was an added bonus. I created this image with a Canon 1DmkIV and my 400mm f4 DO IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
I had the opportunity to record another conversation with Tony Wu last week. He just returned from photographing humpback whales in Tonga for 2 months and I have just gotten back from several trips where I have photographed Atlantic spotted dolphins, brown bears, and polar bears. For anyone interested, we still have a few spaces available on our 2012 Humpback Whale Photography Tour next summer. We also discussed Tony’s new website containing his essay “Reasons Why Professional Photographers Cannot Work for Free“. Please listen to our chat and let me know what you think.
This is another one of my favorite photos from my recent Polar Bear Photography Tour. I was standing next to the boat with my local Inupiat guide when this mom and cub came over to have a closer look at us. We very quickly got back in the boat, but not before I fired off a few pictures at 10fps with the Canon 1DmkIV that I borrowed from Canon Professional Services. The light was absolutely spectacular and for a moment these bears walked side by side allowing me to create this striking image. I hand-held the camera with my Canon 400mm f4 DO IS lens attached and used a right-angle view finder to get the camera as close to the ground as possible while kneeling. It is a single-exposure which was slightly cropped from the original and required minimal processing using Aperture 3 and Photoshop CS5.
I created this short video by attaching my new GoPro camera to my camera’s hotshoe. I’ve been playing around with this new equipment on my last 2 trips and like the results that I am producing. It is nice to be able to show my readers the exact moment when I created this image.
I have just returned from co-leading my first Polar Bear Photography Tour in Alaska. It was an incredible success! I created some fantastic images, but more importantly, so did my clients. I can’t wait to do it again next year. I’ll be updating my website this fall with information about next year’s tours, but if anyone is still interested in photographing the polar bears this year, my partner Steve Kazlowski is available in Alaska for clients. Please email me at jon@cornforthimages.com for more information.
This was my first time photographing polar bears. I now understand how addictive photographing them can be. On the last day of my tour, I was able to photograph this mother and cub wrestling in the snow for an hour. It was incredible watching the cub continuously jump on or slide under it’s mom. Check out those mischievous little eyes staring at it’s mom right before it pounces. I was initially frustrated that they were farther away than I would normally like to shoot, but I pulled out all of my equipment in order to get in as tight as possible. I was on a boat which required me to hand-hold my Canon 7D with my 500mm f4 IS lens plus 1.4X tele-extender. That is equivalent to an 1120mm lens! I was able to freeze the action at 1/1000 second by setting my camera to ISO 800. This image is a single-exposure which was slightly cropped and required minimal processing using Aperture 3 and Photoshop CS5.
I’m teaming up with renowned underwater photographer Tony Wu to offer the ULTIMATE humpback whale photography adventure in 2012. The first half of our tour will begin in Southeast Alaska, where I have spent 5 years photographing humpback whales, followed by a two week break, and then finishing in the Kingdom of Tonga, where Tony has spent over 10 years photographing humpbacks. This is a unique, immersive experience to witness and photograph a wide range of humpback whale behaviors in two hemispheres.
Starting in Juneau, Alaska, we will use our expedition yacht and inflatable boats to photograph northern hemisphere humpback whales bubble-net feeding, breaching, and other behaviors. After our short break, we will regroup in Tonga for in-water encounters with southern hemisphere humpbacks where we’ll be looking for mothers with babies, singers, heat runs, mating, and other calving-related activities. Seeing the whales with your own eyes beats watching a TV documentary!
This trip is for a small, exclusive group of 6 guests who will be able to travel to both locations with guides Jon Cornforth and Tony Wu to photograph a wide range of humpback whale behaviors. Our core idea is to share a once-in-a-lifetime experience with the same 6 guests in order to provide the most comprehensive humpback whale photography opportunities. If someone is interested in only one part of this combined trip, we will automatically put them on our waitlist, but we will only fill single slots after we have prioritized spaces for guests interested in both trips.
This fall, renowned wildlife photographer Steve Kazlowski and I will be leading a polar bear photography tour in Arctic Alaska. Steve has been successfully photographing polar bears in this location for the past 13 years. His images have been published by Time and National Geographic and he is the author of The Last Polar Bear: Facing the Truth of a Warming World.
We will spend 3.5 days photographing polar bears during each of our tours. We will use locally-rented trucks to photograph the bears and there will be an optional boat adventure available working with local guides. We will have a maximum of 3 guests per vehicle. Our small group size will allow us to observe the bears and remain highly mobile. Plus, Steve & I will be able to provide personal photography advice that is impossible in larger tour groups. Our goal will be to photograph classic polar bear portraits and behaviors. At night, we will continue to photograph polar bears, but there is a possibility that we will also photograph the aurora borealis. This is an exciting trip that will allow the discerning photographer an incredible opportunity to photograph polar bears in Alaska.
During my recent trip to Patagonia, I was only able to see and photograph the amazing granite spires a few days due to the notorious weather. Most of my trip involved sitting around camp waiting for better conditions. It was not the most productive photography trip. However, when the weather was nice, it was amazing! In order to get to this fantastic viewpoint in time for sunrise, I had to hike over 2 miles and 1600′ vertical feet in the dark. On the morning that I photographed this scene, I could tell when I woke up at 3am that it was clear on the eastern horizon and discerned the silhouette of Mount Fitz Roy above camp to the west. Anticipation of an epic sunrise provided me with extra motivation during the hike up to Laguna de los Tres. I was not disappointed, because the clouds lit up with dramatic color while Mount Fitz Roy was bathed in alpenglow. This image was created using my Canon 5DmkII and Singh-Ray 3-stop Hard Graduated Neutral Density filter on a Carl Zeiss 21mm f2.8 ZE lens that Zeiss USA was kind enough to loan me for my trip. This image required minimal processing using Aperture 3.
I just returned from leading a private photography tour in Death Valley National Park. I’ve spent a lot of time in this dramatic but desolate park the last few years, so it was nice to return to a place that I know so well. It was especially nice seeing the sun while missing the lousy weather back home in Seattle. I did not take a lot of photos during this trip because the shooting conditions never got epic, plus my attention was focused on working with my clients. What is important is that they had a great time and learned a lot from me. Most of my photography tours are done on a private basis, and include as much instruction as I can cram into a trip. The cost of working with me is higher per person compared to an instructor who leads a dozen people at a time, but my clients have me all to themselves. Please consider working with me if you are interested in pushing your photography to a new level.
This image is my favorite from the trip. My regular readers and fans might wonder, “why is this not some epic-light, wide-angle shot from some far off destination like Jon typically shoots?” I occasionally photograph abstract details and patterns, but they never sell or license compared to the “bigger” images that I am know for. Even though the clouds did not light up as I had hoped for at sunset, I used the twilight glow to add some red color to this intricate mosaic pattern of mud. I created this image using my Canon 5DmkII body and Carl Zeiss 50mm f1.4 ZE lens. It required minimal processing using Aperture 3.
Each year, the summit of Cerro Torre eludes climbers from around the world mostly due to the atrocious weather. They most often spend weeks or even months tent-bound patiently waiting for the weather to clear, but it rarely does. My own experience trying to photograph Cerro Torre has been equally challenging. Between my first visit in 2007 and 2 visits during my recent trip, I’ve spent 8 days attempting to photograph it. If I had been at the lake the day before I created this image, I might now be sharing a sunrise picture of the mountain surrounded by beautiful orange clouds and a calm reflection. However, I hesitate to say that my recent attempts were totally unsuccessful, because I created this mysterious image. Though I could not see the summit at sunrise, an hour later the clouds became thin enough to allow the summit to peak through a hole while Laguna Torre was almost a perfect reflection. This image captures the drama of the typical conditions beneath this impossible spire more so than any image that I might have originally hoped to create. I am sure I will someday return to photograph Cerro Torre during a more ideal sunrise, but do I need to? I created this image with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, Singh-Ray 4-stop Soft Graduated Neutral Density filter, and tripod. It required minimal processing using Aperture 3.