I am excited to share that my “Discover Digital Quick Tips” article is published in the April 2012 issue of Outdoor Photographer! OP’s Editor gave me this opportunity after telling me that he always considers my images to be among the most authentic and beautiful that he regularly sees. In my article, I offer my advice on what my top processing techniques are and how photographers can use them to make their own images look spectacular. Please let me know if you enjoyed reading it and feel free to add your own suggestions in the comments below.
In other news, my regular readers, friends, fans, etc will probably have noted that I have not been online much in the last 2 months. I spent a wonderful, though, not super productive 3 weeks in Hawaii in February. I was barely home for a week before I flew down to Arizona to give 3 presentations about my Alaska photography at the Tucson, Paradise Valley, and Tempe REIs. (I will be at the San Diego, Portland, and Anchorage REIs in the coming month.) Last week, I moved my family into our gorgeous new house just south of Leschi. It is breathtaking to look out my windows anytime and see Lake Washington, the Cascades, and Mount Rainier. This week, I am finally settling into my new office which has its own separate entrance, new cork floors, furniture, and gallery track lighting. I have some large acrylic face-mounts being made by West Coast Imagining that will adorn my walls for when clients visit. Summer is also coming just around the corner. I have multiple trips planned to Alaska, plus my first trip to Tonga. This fall, I will also be joining a small sailboat expedition to South Georgia Island for 4 weeks. As you can see, I have a lot of exciting things going on and many new images to be created.
I was traveling all of December, so forgive me for not having posted any new blog updates for awhile. However, I am excited to share that Outdoor Photographer published my “Discover Alaska Wildlife” article in the February issue! In my article, I give lots of advice about where and how to photograph many of Alaska’s most sought after animals. I especially like the opening full page image of the lynx that I encountered while leaving Denali National Park last July. I have dedicated most of my last 5 summers to photographing Alaska, and look forward to another productive summer up north starting in May. Please let me know if you read that article and what you think.
Check out my latest feature in the June issue of Popular Photography! My article is about photographing cetaceans, otherwise known as whales. They are my favorite photographic subject and I’ve routinely stated over the years that if I could only photograph one thing that it would be whales. My article gives advice on how to photograph them, what lenses to use, and where some of the best places are to find whales. I also share how much patience is required for whale photography. In case it’s not obvious, they spend their lives underwater, so not only is it difficult to catch a glimpse of them, it is even harder to photograph them. I have been very fortunate to accumulate many months of time with them in the last decade. You can read more about the image in the double page opener in my blog post from last year. Also, If you’ve ever wanted to photograph whales, I am co-leading a tour with Tony Wu to photograph humpback whales in Southeast Alaska and Tonga in 2012.
It seems that years of hard-work and dedication are paying off. My 10 year anniversary of being a full-time photographer is coming up this June, and I have experienced a lot of editorial success lately, including my new hiking and backpacking photography article in the May 2011 issue of Popular Photography. In the article, I share my secrets for creating dramatic images away from parking lot viewpoints. Most readers are never going to travel to the ends of the Earth and spend weeks camped out like I do, but hopefully my article will motivate more photographers to get more exercise, enjoy nature, and find their own unique images rather than settle for the same-old viewpoints. I created the double-page opening image of Forbidden Peak at sunset while backpacking in North Cascades National Park. It was a long hike up to Sahale Arm where I camped for several nights with some friends. If you are motivated, I highly recommend this backpacking trip high into the North Cascades. The views are some of the best that can be found in Washington. I created this image with my Pentax 67II medium format camera, Pentax 90mm f2.8 lens, Singh-Ray Warming Polarizer, tripod, and Fuji Velvia 50 film. I scanned it on my Imacon Photo scanner and adjusted the masterfile in whatever version of Photoshop I was using at the time. Readers will also note that I included a photo of my Fstopgear Tilopa BC packed with all my equipment spilled out that I currently use to create landscape photos.
Click here to purchase a print of my Forbidden Peak Sunset image.
My latest article “Desert Song” is featured in the March 2011 issue of Popular Photography! The article gives suggestions for photographing California desert locations including Anza Borrego Desert State Park, Death Valley National Park, the Alabama Hills Recreation Area, the Antelope Valley Poppy Preserve, and San Elijo State Beach, all of which are best photographed this time of year. The article is 6 pages long and showcases 6 of my images, including the double page opener of wildflowers in bloom from Anza Borrego. I created this image almost exactly 2 years ago. This was first trip using a digital camera to photograph landscapes rather than with my beloved Pentax 67II medium format film camera. I used my Canon 5DmkII body, Canon 17-40mm f4 lens, and Singh-Ray LB Warming Polarizer. It required minimal processing using Aperture 2. I also clearly remember signing up for Twitter during that trip at the urging of my client-friend, Mark Teskey. Wow! That seems like a lifetime ago back in the social media dark ages.
Since I won’t be visiting the desert this spring, I won’t be able to offer my own wildflower reports, however, you can read about the latest conditions by visiting the Desert USA Wildlflower Report.
I always say that if I could photograph only one thing, that it would be whales. Unfortunately, they are the most difficult and expensive subject that I photograph. I have swam next to these gentle giants and watched them repeatedly breach into the air, but the most amazing behavior I have documented is humpback whales bubble-net feeding in Alaska. This phenomenon involves a group of whales diving beneath a school of fish and blowing a ring of bubbles underwater to effectively form a net as it rises to the surface. The ring can be up to 100′ in diameter. The fish get scared by the bubbles and become concentrated in the center. At the last second the whales swim up from beneath the school of fish with their months open swallowing everything they can in one enormous gulp. Research has shown that the individual whales repeatedly take up the same positions as they come out of the water during each attack. The best photographs include the most dominant whales in the center positions as they burst above the surface and slam their mouths closed. An incredible amount of patience and luck is involved in anticipating where the whales are going to form a bubble-net. If I am close enough and can see the bubbles rising at the last second, I have to react fast enough to capture the moment as they lunge out of the water. Magnificent!
In September, I took advantage of a week of spectacular weather in Alaska, and did some aerial photography of the Alaska Range. My primary ambition on this flight was to photograph Mt McKinley at sunset, but I departed Talkeetna airport early enough to also do some “sight-seeing”. As the small plane I chartered approached the mountains, we first flew up the dramatic Ruth Gorge. Back when I used to climb, I read a lot of mountaineering stories about the granite spires of the Ruth Gorge, so it was nice to finally see these monster walls for myself. I was particularly impressed with the Moose’s Tooth. Sunset light never penetrates this location due to the mountains above the Ruth Amphitheater, but in this image the clouds clinging to the summit ridge added a layer of drama. Since I no longer climb, I am unlikely to summit this granite myself, but I had an amazing experience flying so close.
When I shoot aerials, there are a few things that are required in order to create the images that I want. First, I need a pilot who is competent and knowledgeable of the local geography. Next, the window of the airplane must lift up or the door must be removed in order to have an unobstructed view. I need good communication with my pilot in order to tell him/her where to position the plane. Once on location, I need to decide quickly what is the best composition while the plane is moving and the light is changing. Finally, I use a normal lens like my Carl Zeiss 50mm f1.4 ZE lens to capture a wide shot that doesn’t include the wing of the plane. During each brief pass at my composition I take 10 to 20 photos at 4fps with my Canon 5DmkII. Once I’m back home editing my images, I look for the image with the strongest composition, nicest light, and, hopefully, a level horizon.
My image “Spray Park Wildflowers 1” is featured as the double page opener of the hiking feature in the June 2010 issue of Seattle Met. Spray Park is my favorite alpine location at Mount Rainier National Park and is the closest side of the mountain to my home in Seattle. During the brief summer hiking season, I depart my house in the early afternoon, drive for about 3 hours, and hike the 3 miles up to the wildflower meadows to photograph the sunset. It is both a blessing and a curse if the wind is not blowing, a blessing because the fields of lupine and paintbrush are not blowing around in the wind, but a curse because of the swarms of blood-thirsty mosquitoes that rival any that I have seen in Alaska or Canada. Spray Park is higher than Paradise on the south side of the mountain, so the wildflowers peak about 1 week later, typically mid-August. Based on the cold summer that we are having, I estimate that the wildflowers are going to be a little late this year, which is similar to the year that I created this image during the last week of August.
One of my underwater humpback whale images appears on billboards in New Zealand this month. (Anyone in NZ able to send me a picture?) When I first set out to make a living as a professional photographer, I initially found success selling fine-art prints through galleries & art shows. That business model ceased being effective with the down-turn in the economy, so I turned my focus to my website. Many of my modest sales now come from having good SEO. This sale is a perfect example. A design firm contacted me a few weeks ago after searching the web, offered me a reasonable usage rate, I emailed them the file, and they wire-transferred the money to me. How easy was that?
Check out my latest feature in the June issue of Popular Photography! My article is about photographing cetaceans, otherwise known as whales. They are my favorite photographic subject and I’ve routinely stated over the years that if I could only photograph one thing that it would be whales. My article gives advice on how to photograph them, what lenses to use, and where some of the best places are to find whales. I also share how much patience is required for whale photography. In case it’s not obvious, they spend their lives underwater, so not only is it difficult to catch a glimpse of them, it is even harder to photograph them. I have been very fortunate to accumulate many months of time with them in the last decade. You can read more about 
