This is my most successful wide-angle brown bear image from my August expedition to the Katmai Coast. I spent 4 days in Kuliak Bay trying unsuccessfully to photograph brown bears fishing underwater. For most of the day, my underwater camera system was submerged on a tripod with the PocketWizard antennae barely extending about the surface, but I had to pull it out of the river at high tide. While waiting for the tide to drop on my first full day ashore, I observed the bears fishing in the creek when the salmon migrated up to the lake at high tide. The next day, I decided to preposition my camera at the bottom of the falls before high tide and the arrival of the salmon and bears. It was nerve racking positioning my camera even though there were not any bears around at the time. They could emerge from the woods at any moment, so I quickly set it up next to some rocks and returned to the relative security of my viewing platform. This beautiful young bear was the first to arrive. Over the course of an hour, I observed this bear fishing and remotely triggered my camera every time that it appeared to be in front of my camera. Right before this moment, the bear caught the salmon on the far side of the creek. It then ran directly towards my camera with the fish in its mouth when it realized that there was a mother with 2 cubs coming down the creek from above. When I retrieved my camera several hours later, I was giddy with anticipation while reviewing the images and discovered this one was on my memory card. I created this image with my Canon 5DmkII and 17-40mm f4 lens inside my Aquatech 5DmkII housing with a Aquatech wide-angle flat port which I remotely triggered with a PocketWizard in an Aquatech PocketWizard housing. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
My August trip to the outer coast of Katmai National Park was pretty dangerous, but it allowed me to create some unique photos. I took my boat on the ferry from Homer to Kodiak and then used it to cross treacherous Shelikof Strait in order to spend several weeks living with the brown bears. I spent the entire trip as close to brown bears as anyone has ever been. This probably sounds insane to most people, but brown bears are not going to just run up to and eat you for no reason. However, they must be respected at all times. One of the new techniques that I employed was using PocketWizards to remotely trigger my cameras so that I could shoot wide-angle bear images. Guessing where to pre-position my cameras was the challenge, but I got better at it as learned the bear’s routines. While visiting Kuliak Bay, brown bears regularly walked past this location, so I placed one of my cameras on a tripod low to the ground and waited. I remotely triggered the camera whenever a bear walked in front of it. I created this image using my Canon 5DmkII, 17-40mm f4 lens, and Singh-Ray 2-stop Hard GND filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
The young polar bears that I photographed during my recent Polar Bear Photography Tour in Alaska spent a lot of time playing with their siblings both on land and in the Arctic Ocean. Polar bears are considered marine mammals since they spend so much of their lives in and out of the water. They are capable of swimming hundreds of miles when they have to. I really like the way that this young bear looked over its shoulder and right into my lens. I find eye contact like this incredibly compelling. Of course, the nice low angle light was an added bonus. I created this image with a Canon 1DmkIV and my 400mm f4 DO IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
I had the opportunity to record another conversation with Tony Wu last week. He just returned from photographing humpback whales in Tonga for 2 months and I have just gotten back from several trips where I have photographed Atlantic spotted dolphins, brown bears, and polar bears. For anyone interested, we still have a few spaces available on our 2012 Humpback Whale Photography Tour next summer. We also discussed Tony’s new website containing his essay “Reasons Why Professional Photographers Cannot Work for Free“. Please listen to our chat and let me know what you think.
I created this image while visiting Kukak Bay on the Katmai Coast in August. This brown bear was lazily sitting by the edge of a stream waiting for a salmon to swim past. Eventually, it sat up on its hind legs and yawned. When I saw this image on my camera’s LCD screen, I chuckled. I felt bad for the bear, since this was not the most flattering picture, but I doubt that the bear cares. The early morning golden light was an added bonus. I used my Canon 7D and 500mm f4 IS lens to photograph this moment. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
This is another one of my favorite photos from my recent Polar Bear Photography Tour. I was standing next to the boat with my local Inupiat guide when this mom and cub came over to have a closer look at us. We very quickly got back in the boat, but not before I fired off a few pictures at 10fps with the Canon 1DmkIV that I borrowed from Canon Professional Services. The light was absolutely spectacular and for a moment these bears walked side by side allowing me to create this striking image. I hand-held the camera with my Canon 400mm f4 DO IS lens attached and used a right-angle view finder to get the camera as close to the ground as possible while kneeling. It is a single-exposure which was slightly cropped from the original and required minimal processing using Aperture 3 and Photoshop CS5.
I created this short video by attaching my new GoPro camera to my camera’s hotshoe. I’ve been playing around with this new equipment on my last 2 trips and like the results that I am producing. It is nice to be able to show my readers the exact moment when I created this image.
This is another one of my favorite images from July when I spent 6 days onboard the Dolphin Dream photographing Atlantic spotted dolphins in the Bahamas. The trip exceeded my expectations and I was incredibly fortunate to have so many wonderful encounters with the dolphins. I’m sure that all of my non-underwater photography friends can appreciate the beauty of this image, but I cannot state emphatically enough how hard it is to create an underwater image like this. Swimming as hard as I can, I am usually totally out of breath by the time I am in the right spot. Before I can dive beneath the surface to take a picture, I have to grab one last breath of air. Once I am underwater, I then hope that a dolphin swims close enough to me to photograph with my wide-angle lens. Most of the time, the image doesn’t happen, but in this case everything came together. I like this image because of the dolphins reflection on the surface. I used my Canon 5dmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image required a bit of processing to remove the cyan cast of the water using Aperture 3.0 and Photoshop CS5.
At the end of August, I embarked on a dangerous expedition to the Katmai Coast to photograph brown bears. The trip required my friend Paul Souders & I to depart from Kodiak and cross the always treacherous Shelikof Strait using my 22′ C-Dory. There are safer and more expensive ways to visit the Katmai Coast, but none of these options would have allowed us to spend as much time so intimately with the bears. To say that I was scared when we entered the open ocean in less than ideal conditions is an understatement. However, we successfully motored across to our first destination, the spectacular Kukak Bay. After we anchored, we immediately set out for shore to walk amongst the bears. I’ve been around my fair share of bears, but nothing quite prepared me for spending the first day amongst them at such close range. I do not advise people to be foolhardy and run up to brown bears, but they are also not going to attack and eat you under most situations. For instance, this beautiful bore was waiting for a salmon and nonchalantly watched us as we set up our cameras and moved in close enough to take his picture. He drifted in and out of sleep as we observed him for several hours. I’ll share some images soon where he rolled on to his back and stretched, but this low and tight portrait is my favorite. In order to render the distant background pleasantly out-of-focus, I laid on the ground on my stomach to get as low as possible with my Canon 7D and 500mm f4 IS lens. I then waited for him to look straight into my lens whenever he opened his eyes. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.
I have just returned from co-leading my first Polar Bear Photography Tour in Alaska. It was an incredible success! I created some fantastic images, but more importantly, so did my clients. I can’t wait to do it again next year. I’ll be updating my website this fall with information about next year’s tours, but if anyone is still interested in photographing the polar bears this year, my partner Steve Kazlowski is available in Alaska for clients. Please email me at jon@cornforthimages.com for more information.
This was my first time photographing polar bears. I now understand how addictive photographing them can be. On the last day of my tour, I was able to photograph this mother and cub wrestling in the snow for an hour. It was incredible watching the cub continuously jump on or slide under it’s mom. Check out those mischievous little eyes staring at it’s mom right before it pounces. I was initially frustrated that they were farther away than I would normally like to shoot, but I pulled out all of my equipment in order to get in as tight as possible. I was on a boat which required me to hand-hold my Canon 7D with my 500mm f4 IS lens plus 1.4X tele-extender. That is equivalent to an 1120mm lens! I was able to freeze the action at 1/1000 second by setting my camera to ISO 800. This image is a single-exposure which was slightly cropped and required minimal processing using Aperture 3 and Photoshop CS5.
This another of my favorite Atlantic spotted dolphin pictures from my recent trip to the Bahamas. I did not have a lot of opportunities to photograph groups of dolphins all at once. However, these 3 yielded a great image as they swam underneath me and gracefully turned towards the surface. I would have preferred fully rotating my camera into the vertical position, but it happened so quickly while underwater and I barely clipped their tails. I love the symmetry of the dolphins and the apparent glee on their faces. I created this image with my Canon 5dmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which required a bit of processing to remove the cyan cast of the water using Aperture 3.0 and Photoshop CS5.
