This is another image from my visit to Cordova, Alaska last month. The focus of my trip was photographing the shorebird migration that takes place each spring along the Copper River delta. Naively, I anticipated millions of shorebirds, but I never saw more than perhaps 10,000 all at once. This was still a spectacular sight to photograph, and how many birds did I really need? The best time to photograph the shorebirds was at high tide, which fortunately corresponded with sunrise and sunset that week. I was also lucky that the sky was clear so that I was able to take advantage of the golden light. This is one of my favorite pictures of the birds in flight. I created this image with my Canon 7D and 400mm f4 DO IS lens plus 1.4X tele-converter. I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.
While visiting Cordova, I saw flocks of several thousand shorebirds, but never the millions that I had read about. If there were millions, they were spread out over the entire Copper River delta region. The shorebirds that I saw were scattered all over the mudflats of Hartney Bay which made photographing them difficult. The best opportunities to photograph them was when they grouped together at high-tide. During the week of my visit, high-tide luckily corresponded with sunrise and sunset. There were also no clouds just clear sky, so I was able to take advantage of the good light. In this image, I positioned myself on the sunlit side of the birds and added some color by including the reflection of the blue sky in the mud. I was attracted to the repetitive patterns of the resting shorebirds, but even when they were resting many of them still moved around. I created this image by hand-holding my Canon 7D and 400mm f4 DO IS lens with my 1.4X tele-converter. Depth-of-field was a real challenge, so I stopped my lens down to f18 and chose ISO 400 to give me a reasonable shutter speed for hand-holding my camera. This image required minimal processing using Aperture 3 and Photoshop CS5.
ALASKA!!! That sums up my feelings about my recent trip north. I began my trip by teaching some classes in Anchorage and Fairbanks, but then my friend and fellow photographer Steve Kazlowski joined me for a week photographing the Copper River shorebird migration near Cordova. It was the first time that either of us had been to Cordova. I was prepared for a week of terrible weather based on what I’ve heard, so imagine my surprise when the sky was clear the entire week! Not only was the weather perfect, but high-tide (when the shorebirds were best photographed) actually corresponded with the prime light of sunrise and sunset. I could not believe our fortune, since neither of us did any research before our trip. It was very difficult to photograph the flocks of mostly Western sandpipers, but this is one of my favorite images. I like how the shorebirds are landing towards me and a few of them are in sharp focus amongst the chaos. I created this image with my Canon 7D and 500mm f4 IS lens (which Canon Professional Services was kind enough to loan me). I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.
I want to share another one of my favorite Atlantic puffin images from the bird cliffs at Latrabjarg in the Northwestern Fjords of Iceland. It took me 9 years to return to this fantastic location so that I could photograph these cute birds. I was fortunate that the clouds parted late in the evening allowing the sun to bathe the cliffs in golden light. I like this puffins open beak with the fantastic bokeh background of the cliffs behind it.
Yesterday, I spent 6 hours editing, processing, keywording, and sizing my Atlantic puffin photographs for the web. As busy as my summer is, I am not going to finish processing the rest of my Iceland trip any time soon. This is one of my favorites. I like how the puffin’s breast is pointing forward with the orange bokeh from the sunset illuminating the cliff. I always preach that the most important part of a great wildlife image is not the subject, but what is going on behind it. Clean, simple background like cliffs and mountains in the distance yield the best results. I created this image with my Canon 7D and 400mm f4 DO IS lens on a Gitzo GT2931 tripod with an Acratech Ultimate ballhead and Wimberley Sidekick.
This is my favorite Atlantic puffin image from my Iceland trip. I had wanted to do-over the puffins I shot on my first visit to Iceland 9 years ago. I was glad they were still around, though not in the same numbers I remembered. I only spent 1 night photographing them on the cliffs at Latrabjarg, but was fortunate the sky was clear at sunset which bathed the puffins in golden light. Just when I thought I would have the cliffs to myself, a tour group showed up. I can’t complain because I moved around enough to avoid the puffin-jams and still photographed some beautiful poses. The cliffs are between 50-100m high, so I got as close to the edge as I was comfortable, but people have fallen to their deaths by getting too close, including an unfortunate German tourist a week after my visit. My heart went out to his family when I heard the news. I’ve got many more puffin & Iceland images to share in the weeks ahead.
This is a cute tufted puffin that I photographed last June in Lituya Bay on the remote outer coast of Glacier Bay National Park in Alaska. During my visit, I used my inflatable boat to explore the sea bird cliffs on the south side of Cenotaph Island. There were thousands of kittiwakes but only a few breeding pairs of tufted puffins. The puffins constantly flew back and forth from the tops of the cliffs down to the water to fish. Through my persistence, I was eventually able to drift close enough to this puffin to take its picture with my 500mm lens. I like the dark green water and pink reflection of the cliffs on the water behind it.
There are only an estimated 1500 endangered ae’o or Hawaiian stilts in the world. I saw about 10 of them yesterday afternoon when I drove down to the Koloko-Honokohau National Park fishponds. I thought about throwing the 500 f4 lens in the car as I left my room, but decided not to bring it. After I pulled into the parking area and got out to look around, I immediately observed the stilts lined up on the edge of the fishpond. After about 15 minutes, I decided to drive back to my room and get the big lens. When I returned with the 500, the ae’os let me approach them close enough to take some nice portraits. I like this image because the bird’s long leg is out of the water as it is hunting for prey.
This bird I did find in the guidebook. It is called a Byth’s Hornbill. Pretty wicked looking dinosaur of a bird. This one is the resident pest at Sorido Bay. When I first approached it, I was unaware that it was kinda tame. I took one look at that bill as it was coming at me and considering my past luck with getting bit by exotic critters, I backed off. Some of the locals then came over and showed me that they could actually touch it. I’m still not sold that I’m going anywhere near that beak, but I am quite pleased that I got to use my camera today and came away with some respectable images.
Update on 11/25-I figured out that this bird is a Kingfisher of Paradise.
Today started out very early. I am staying at the Waiwo Field Station of Conservation International. They are kindly putting me up for 2 nights before I start diving tomorrow with Papua Diving. I am trying to photograph the incredibly rare Wilson’s Bird of Paradise. I had to get up very early and hike a long way up hill through the jungle. I wore my sandals and was covered in mud by the time we got to where my guide had scouted the bird. I actually got a glimpse of it twice, but did not get off a single frame. I spent about 4 hours in my blind waiting with all manner of bugs crawling over me and biting the hell out of me. I am taking an anti-malarial drug, so I hope that it works because I’m gonna need it after that trek. Sitting on my knees in the mud in the jungle of Papua, what a treat! I am going to try again tomorrow. This bird is not a BOP, but rather something kinda cool that is not in the field guide that I have been looking through all evening. At least I took some pictures today that I can feel good about.
This is another image from my visit to Cordova, Alaska last month. The focus of my trip was photographing the shorebird migration that takes place each spring along the Copper River delta. Naively, I anticipated millions of shorebirds, but I never saw more than perhaps 10,000 all at once. This was still a spectacular sight to photograph, and how many birds did I really need? The best time to photograph the shorebirds was at high tide, which fortunately corresponded with sunrise and sunset that week. I was also lucky that the sky was clear so that I was able to take advantage of the golden light. This is one of my favorite pictures of the birds in flight. I created this image with my Canon 7D and 400mm f4 DO IS lens plus 1.4X tele-converter. I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.
While visiting Cordova, I saw flocks of several thousand shorebirds, but never the millions that I had read about. If there were millions, they were spread out over the entire Copper River delta region. The shorebirds that I saw were scattered all over the mudflats of Hartney Bay which made photographing them difficult. The best opportunities to photograph them was when they grouped together at high-tide. During the week of my visit, high-tide luckily corresponded with sunrise and sunset. There were also no clouds just clear sky, so I was able to take advantage of the good light. In this image, I positioned myself on the sunlit side of the birds and added some color by including the reflection of the blue sky in the mud. I was attracted to the repetitive patterns of the resting shorebirds, but even when they were resting many of them still moved around. I created this image by hand-holding my Canon 7D and 400mm f4 DO IS lens with my 1.4X tele-converter. Depth-of-field was a real challenge, so I stopped my lens down to f18 and chose ISO 400 to give me a reasonable shutter speed for hand-holding my camera. This image required minimal processing using Aperture 3 and Photoshop CS5.
ALASKA!!! That sums up my feelings about my recent trip north. I began my trip by teaching some classes in Anchorage and Fairbanks, but then my friend and fellow photographer 
